Set in Florence and the English countryside, the film tells the story of a young English couple, Lucy Honeychurch (Helena Bonham Carter) and George Emerson (Julian Sands), who encounter passion whilst on holiday in Italy. Defying the Victorian conventions of their elders they dare to be true to their feelings, each other and true love. Superbly adapted from E.M. Forster's classic novel, and boasting a wonderful supporting cast including Daniel Day-Lewis, Maggie Smith, Dame Judi Dench, Denholm Elliot and Simon Callow, A Room With A View was a world-wide smash hit and cemented the reputation of Merchant Ivory as masters of the period film.
The repressed and bourgeois Maurice Hall (James Wilby) tackles the prejudices of Edwardian society as he comes to terms with his sexuality, in this landmark drama from the team behind A Room with a View (1985) and Howard's End (1992). From the halls of Cambridge University to the cricket fields of the English gentry, this profound tale of emotional and sexual awakening features star-making performances from Wilby, Hugh Grant and Rupert Graves, and perfectly captures the fears and joys of submitting to a forbidden desire. Described by The Guardian as undervalued and underseen and a pre-cursor to the James Ivory-scripted Call Me By Your Name (2017), Maurice is a landmark film as important as any in the history of gay cinema and one that presents a positive and enriching portrait of first love. Special Features: Interview with James Ivory and Pierre Lhomme on the making of Maurice (16 mins) On-stage Q&A with James Ivory and Pierre Lhomme, moderated by Nicholas Elliott (23 mins) A Director's Perspective (40 mins): a conversation between James Ivory and Tom McCarthy, the director of Spotlight Short interview with stars Hugh Grant and James Wilby (2017, 5 mins) Deleted scenes (39 mins) Original theatrical trailer 2018 re-release trailer Other extras TBC Fully illustrated booklet featuring an interview with James Wilby, new writing on the film, and full film credits
Off to the sensuous landscape of Florence for her horizon-broadening tour Lucy a perfectly proper young Edwardian lady is chaperoned by her even more proper Aunt Charlotte. At the merest hint of scandal - Lucy is kissed by an improper suitor - Charlotte whisks her back to the serene English countryside where she is betrothed to a supposedly suitable gentleman insufferably in love with himself. Based on E.M. Forster's classic novel.
The prestigious film-making trio of producer Ismail Merchant, director James Ivory and screenwriter Ruth Prawer Jhabvala had made other critically acclaimed films before A Room with a View was released in 1985, but it was this popular film that made them art-house superstars. Splendidly adapted from the novel by E.M. Forster, it's a comedy of the heart, a passionate romance and a study of repression within the class system of manners and mores. It's that system of rigid behaviour that prevents young Lucy Honeychurch (Helena Bonham Carter) from accepting the loving advances of a free-spirited suitor (Julian Sands), who fears that she will follow through with her engagement to a priggish intellectual (Daniel Day-Lewis) whose capacity for passion is virtually non-existent. During and after a trip to Italy with her protective companion (Maggie Smith), Lucy gradually gets in touch with her true emotions. The fun of watching A Room with a View comes from seeing how Lucy's thoughts and feelings finally arrive at the same romantic conclusion. Through an abundance of humour both subtle and overt, the film rose to an unexpected level of popular appeal. The Merchant-Ivory team received eight Academy Award nominations for their efforts, and won the Oscar for Best Adapted Screenplay, Art Direction and Costume Design. --Jeff Shannon
Lucy Honeychurch and her chaperon, Charlotte Bartlette, arrive in Florence, they are troubled by the fact that they don't have rooms with a view. Later that night at supper, fellow guests Mr. Emerson and his son George offer to exchange their rooms for that of Lucy and Charlotte's.This exchange is the first of many events where Lucy and Charlotte are involved in the plans of Mr. Emerson, George and other guests from the hotel they are staying at. But, when Lucy and George realize their passionate feelings for one another when George kisses Lucy, it is not a simple matter of boy likes girl, but boy likes girl and girl is engaged to another. Now Lucy begins to doubt her feelings for her husband to be and get herself caught up in a web of lies to convince herself, George and everyone else that she isn't in love with George. How will it all turn out in the end?
Nearly 20 years after his death, Toshiro Mifune remains a true giant of Japanese cinema. Rich with archive footage and personal reminiscences from family and friends, this Keanu Reeves- narrated documentary shines a light on both the man and the actor, starting with his childhood and military service, through to his early years in the popular 'chanbara' action movies that he would later draw on for a string of masterpieces made with legendary filmmaker Akira Kurosawa. Featuring contributions from Steven Spielberg and Martin Scorsese, Mifune: The Last Samurai reveals him as a formidable and mercurial talent, both onscreen and off, and an influence that still resonates through world cinema. Special Features: Original trailer Other extras TBC Fully illustrated booklet
A thoughtful character study and fascinating look at a nearly obselete Indian lifestyle.
Set in Florence and the English countryside, the film tells the story of a young English couple, Lucy Honeychurch (Helena Bonham Carter) and George Emerson (Julian Sands), who encounter passion whilst on holiday in Italy. Defying the Victorian conventions of their elders they dare to be true to their feelings, each other and true love. Superbly adapted from E.M. Forster's classic novel, and boasting a wonderful supporting cast including Daniel Day-Lewis, Maggie Smith, Dame Judi Dench, Denholm Elliot and Simon Callow, A Room With A View was a world-wide smash hit and cemented the reputation of Merchant Ivory as masters of the period film.
In this dramatic adaptation by Jack Pulman (I, Claudius) of the classic Henry James novel, a damaged golden bowl reflects the truth in a hidden relationship and redirects the lives of all the characters into whose hands it has been placed. A young American in Europe, Maggie is devoted to her father, the rich and cultured Adam Verver. Introduced to the charismatic Italian Prince Amerigo by her trusted friend Fanny Assingham, she soon falls in love and a suitable marriage of affection and convenience takes place. When Amerigo runs into a former mistress, the attractive Charlotte Stant, he cannot help but rekindle their friendship and introduce her to his wife. Maggie, in turn, sees a suitable companion for her father, and so a second marriage that draws upon the Verver fortune takes place. All coexist, some knowingly, some blindly, until a hidden crack in a golden bowl exposes the truth and sets in motion an irreversible chain of events. Special Features: Cast Filmographies Henry James Biography Picture Gallery Subtitles
The Remains of the Day is one of Merchant-Ivory's most thought-provoking films. Anthony Hopkins is a model of restraint and propriety as Stevens, the butler who "knows his place"; Emma Thompson is the animated and sympathetic Miss Kenton, the housekeeper whose attraction to Stevens is doomed to disappointment. As Nazi appeaser Lord Darlington, James Fox clings to the notion of a gentleman's agreement in the ruthless political climate before World War Two. Hugh Grant is his journalist nephew all too aware of reality, while Christopher Reeves gives a spirited portrayal of an American senator, whose purchase of Darlington Hall 20 years on sends Stevens on a journey to right the mistake he made out of loyalty. As a period drama with an ever-relevant message, this 1993 film is absorbing viewing all the way. On the DVD: the letterbox widescreen format reproduces the 2.35:1 aspect ratio with absolute clarity. Subtitles are in French and German, with audio subtitles also in English, Italian and Spanish, and with 28 separate chapter selections. The "making-of" featurette and retrospective documentary complement each other with their "during and after" perspectives, while "Blind Loyalty, Hollow Honour" is an interesting short on the question of appeasement and war. The running commentary from Thompson, Merchant and Ivory is more of a once-only diversion. --Richard Whitehouse
'Only connect.' This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Marg
Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
This box set contains the following films: The Looking Glass War (Dir. Frank Pierson) (1969): In exchange for political asylum Polish defector Leiser (Jones) agrees to return behind the Iron Curtain to confirm the suspicions of the British Security Chief that East Germany is building a rocket in violation of the disarmament pact. Once in East Berlin Leiser falls in love with a beautiful young girl and the couple decide to flee the espionage experts - both East and West - to start a new life together. But they soon find themselves pawns in the brutal game where the stakes are human lives. 84 Charing Cross Road (Dir. David Hugh Jones) (1986): A heart-warming drama in which Anne Bancroft stars as a New York collector of rare books. Little does she know that a letter to a small bookshop in London will lead to a 20 year love affair with the staff and the city... Remains Of The Day (Dir. James Ivory) (1993): Stevens is the perfect English butler. Now employed by Mr Lewis the new American owner of Darlington Hall Stevens has spent the best part of his working life serving Lord Darlington the host of many prestigious international conferences in the 1930s. It was only when war broke out in 1939 that Lord Darlington's involvement with the Nazi party was uncovered. Now twenty years later Stevens realizes that his unquestioning faith and dedication to duty were misplaced and cost him dearly in his own personal life. Over several years he carried on an intense relationship with the Estate's attractive young housekeeper Miss Kenton. But his unwavering sense of duty led Stevens to deny his emotions - and eventually drive away the one woman he loved. Now he wants to make amends... Legends Of The Fall (Dir. Edward Zwick) (1994): Colonel William Ludlow (Sir Anthony Hopkins) built a ranch in the remote foothills of the Montana Rockies where he brought up his three sons away from the carnage of the Indian wars. Alfred (Aidan Quinn) the eldest is dutiful and reserved Samuel (Henry Thomas) the beloved youngest is compassionate and idealistic while the middle brother Tristan (Brad Pitt) has a wild untameable spirit. Into this masculine world enters Susannah Finncannon (Julia Ormond) a beautiful intelligent woman who stirs a passion and rivalry in all three brothers that will change the course of their lives and shape their destinies forever. From the rugged prairie lands of 19th Century America to the trenches of World War I and the changing world beyond 'Legends of the Fall' is a sweeping star-studded epic - a passionate journey into the darkest secrets of love betrayal and the unbreakable bonds of blood. Bram Stoker's Dracula (Dir. Francis Ford Coppola) (1992): Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)... The Hunchback Of Notre Dame (Dir. Michael Tuchner) (1982): Classic version of Hugo's tragic tale of unrequited love. Quasimodo is the deformed bellringer of Notre Dame taunted and brutalised by the townspeople because of his repellent appearance. Despite his outward appearance however Quasimodo has a tender heart as he demonstrates when he falls in love with beautiful gypsy girl Esmerelda.
Oscar winners Anthony Hopkins (The Silence of the Lambs) and Emma Thompson (Howards End) reunite with the acclaimed Merchant Ivory filmmaking team for this extraordinary and moving story of blind devotion and repressed love. Hopkins stars as Stevens the perfect English butler - an ideal carried by him to fanatical lengths - as he serves his master Lord Darlington beautifully played by James Fox (The Servant). Darlington like many other members of the British establishment in the 1930s is duped by the Nazis into trying to establish a rapport between themselves and the British government. Thompson stars as the estate's housekeeper a high-spirited strong-minded young woman who watches the goings-on upstairs with horror. Despite her apprehensions she and Stevens gradually fall in love though neither will admit it and only give vent to their charged feelings via fierce arguments. Marvellously acted by a supporting cast that includes Christopher Reeve and Hugh Grant.
In this modern-day comedy of manners, American sisters Isabel (Kate Hudson) and Roxeanne (Naomi Watts) come face to face with the complicated social mores of French society.
Anne (Julie Christie), a young historical researcher, inherits letters written by her great aunt Olivia (Greta Scacchi) and becomes obsessed with their revelations of her past in colonial India. Flitting between the present-day and the 1920s, the film examines their parallel journeys of self-discovery and the eternal, seductive allures of the country. Adapted by Ruth Prawer Jhabvala from her Booker Prize-winning novel, and winner of Best Screenplay at the 1983 BAFTA's, Heat and Dust is a sensual and evocative Merchant Ivory classic. Now beautifully restored in 4K and available on Blu-ray for the first time, the set also features Autobiography of a Princess, Merchant Ivory's fictional study of Imperial India starring James Mason and Madhur Jaffrey. Special Features: Autobiography of a Princess (1975, 58 mins): Merchant Ivory's fictional study of Imperial India starring James Mason and Madhur Jaffrey Merchant Ivory's Royal India (2018): conversation between James Ivory and writer/director Chris Terrio Greta Scacchi and Nikolas Grace Remember Heat and Dust (2018): an interview by Claire Monk Onstage Q&A with Madhur Jaffrey (2018) Original theatrical trailer Re-release trailer Other extras TBC **FIRST PRESSING ONLY** Fully illustrated booklet with new writing on the film and full film credits
Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
The passion violence mystery and beauty of India are rapturously evoked in Merchant Ivory Productions' acclaimed 'Heat And Dust' based on the novel by Ruth Prawer Jhabvala the Oscar winning screenwriter and novelist. Blending east with west and moving effortlessly between the vibrant world of modern-day India and the magnificent splendours of the Raj 'Heat And Dust' intertwines the contemporary story of Anne a young woman drawn to India by her desire to unravel the scandal surrounding her great-aunt Olivia's seduction in the 1920's by a glamorous Indian Prince. For Anne it proves as much a journey of self-discovery as the opportunity to solve an enigma as she too becomes seduced by the romantic and luxurious enchantments of India.
""Only Connect"". This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Margaret (Emma Thompson). Convinced that he is acting in the best interests of his family the patriarcal Henry Wilcox destroys his wife's ""unofficial"" will. But as the lonely repressed Henry falls in love with Margaret and Helen's willful attacks on class and convention strike at the very heart of the Wilcox family fate decrees that Henry must pay dearly for his deceit.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy